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(Un)Intended Targets is concerned with the abusive and often unregulated relationship between recreational shooters and the environments frequently visited by them in Arizona. Pointing my camera towards objects that have been left behind after being used for legal and illegal target practice, I examine a thread within the fabric of American culture where firearms traditionally orchestrate dominance not only over opposing human forces, but geographic as well. This pursuit of dominance continues today as a perplexing narrative yielding a disregard for land while simultaneously providing opportunity for strangely seductive amusement, and even, arguably, a reason to affiliate with nature, for better or for worse.